Blackwork Spider and Web Tattoo
Sat a central spider on a sprawling web, then framed the surrounding sections with tropical fronds and reeds. Heavy black fill in the background pushes the lighter web forward, a contrast that keeps the design legible from across the room rather than only up close.
I followed the curve of the canvas with the web's geometry so the radial lines read true from any angle. That's the hard part of designing a web tattoo. Get the angles wrong and the strands look like they're collapsing inward. I work the radials before the connecting threads to keep the structure honest. Large blackwork full coverage pieces get booked in stages out of my Whitetail Tattoo studio in Wellington.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




