Oni Mask and Blackout Tattoo
Dropped a red oni mask at the top of the design, dagger driven through one eye, with a saturated blackwork fill running the length of the canvas below. The client's existing Japanese work pulls from the same palette, so the new blackout reads as a deliberate counterweight instead of a separate project tacked on.
Pairing a single coloured focal point with a large field of solid black is one way I anchor a large piece visually. The eye lands on the oni first, then registers the scale of the fill below, which is exactly the rhythm I built the composition around. Larger blackwork projects like this get planned across multiple sittings out of my Whitetail Tattoo studio in Wellington.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




