Book Tattoo
Red oni mask tattoo at the top of above a solid black fill running down

Oni Mask and Blackout Tattoo

Dropped a red oni mask at the top of the design, dagger driven through one eye, with a saturated blackwork fill running the length of the canvas below. The client's existing Japanese work pulls from the same palette, so the new blackout reads as a deliberate counterweight instead of a separate project tacked on.

Pairing a single coloured focal point with a large field of solid black is one way I anchor a large piece visually. The eye lands on the oni first, then registers the scale of the fill below, which is exactly the rhythm I built the composition around. Larger blackwork projects like this get planned across multiple sittings out of my Whitetail Tattoo studio in Wellington.

By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand

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Common Questions About Blackwork in Wellington

Does blackwork hold up better than colour?
Generally yes. Solid black ink stays denser and more legible over decades than colour, which can soften and shift. If you want something that still reads clearly in twenty years, blackwork is the safest long-term bet.
How long does a blackwork piece take?
Small blackwork pieces run one to two hours. A palm-sized graphic piece is usually a single sitting of two to three hours. Larger panels (forearm, calf, back placements) are typically booked across multiple sessions.
Can blackwork cover an old tattoo?
Often yes. Bold blackwork is one of the strongest cover-up languages going, especially over faded line work. Send me a clear photo of the existing piece in your DM and I can plan around it.