Blackout With Roses and Crown
Full coverage piece with the design carried in negative space. Two roses, a banner with script, and an ornate crown all read white against the saturated black ground I built around them. Working in reverse like this takes tight planning so my negative shapes stay legible after healing and the surrounding fill stays even.
I used the natural taper of the canvas to push the eye through the composition. Negative-space blackwork rewards patience. The design has to be locked before any fill goes down, then the fill itself takes several sessions to build so the skin recovers between sittings. If you're keen on a full coverage piece in this style, I stage them carefully out of my Whitetail Tattoo studio in Wellington.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




