Blackout With V Tattoo
Filled the full panel black and finished it with a clean V-cut at the lower edge, leaving the adjacent area untouched. A yellow rose I'd done earlier sits above the start of the blackout, which gives the piece an entry point rather than a flat upper line.
Blackouts work hardest at the edges. The V-cut is what separates a polished piece from a heavy one, and the contrast between the rose and the solid fill above gives the eye somewhere to land. Even saturation across this much blackwork needs multiple sessions for it to settle properly.
I run blackout consultations from the Wellington studio on Dixon Street, get in touch.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




