Blackout With Peony Tattoo
Ran saturated blackwork fill the full length of the canvas with a peony bloom carried in negative space. The flower's petals stay lighter than the surrounding fill, so the focal point reads cleanly without me using any colour at all. The contrast between the heavy ground and the open petals does the work that line weight usually handles.
Composing in reverse like this means I plan the negative shape before any fill goes down. Once the black is in there's no going back to soften an edge or reshape a petal, so the stencil work and the first session set the whole piece. Full coverage pieces built this way feel deliberate rather than like an afterthought cover. Blackout work gets booked through my Wellington studio.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




