Blackout and Tattoo
Carried solid blackwork coverage across the canvas, photographed during the healing window when the surface still carries a slight sheen. Even fills like this take patience. I work the colour in passes across multiple sessions so the skin recovers between sittings and the final ground reads as one consistent black.
I terminated the piece on a clean line because this client wanted to keep the adjacent area clear of fill. A clean stop edge is harder than it looks. The skin transitions from one structure to another within a couple of centimetres, and any wobble in my boundary is visible forever. Blackout consultations and bookings happen through the Whitetail Tattoo studio in Wellington.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




