Screaming Gorilla Tattoo
Set a screaming gorilla head as a single contained piece, with the open jaw and teeth doing the heavy lifting. I carried the brow and forehead in dense whip shading and left the mouth wide and unfilled, and that contrast is what pushes the piece to read strongly from a distance.
The head sits centred on a rounded canvas, so the silhouette stays clean as the area moves. Blackwork portraits work best when the negative space is doing real structural work, not just sitting there as filler. The bared teeth and tongue do double duty: detail and tonal contrast.
I'm taking blackwork pieces at the Wellington studio, get in touch.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




