Blackout Tattoo
Saturated blackwork fill running the length of the canvas, photographed during the healing period. An older skull and snake piece stays partly visible at the top, the existing tattoo carried forward rather than buried under the new fill. Keeping old work readable inside a blackout is a planning choice I make on purpose, not a happy accident.
Large blackouts are a long-term project. I break each sitting around what the skin can take and rebuild the colour over multiple passes until the field reads as one even black. Trying to power through a piece this large in one go usually leaves blown-out patches that need correcting later. Large blackwork projects in Wellington go through @pokestaytattoo or my Whitetail Tattoo studio.
By Rhys Thomas at Whitetail Tattoo, Level 3, 41–47 Dixon Street, Te Aro, Wellington, New Zealand




